Le Pétrole en gros ne Peignant pas de Minimum
 
 


Adriaen Coorte A mediterranean harbour scene with numerous figures on a que beneath a fort oil painting reproduction


Adriaen Coorte
A mediterranean harbour scene with numerous figures on a que beneath a fort
ID de tableau::  96530
 oil on canvas 86.4 x 117 cm 17th century cyf

 
 
   
      
Adriaen Coorte
(ca. 1665 - after 1707) was a Dutch Golden Age painter of still lifes, who signed works between 1683 and 1707. He painted small and unpretentious still lifes in a style more typical of the first half of the century, and was "one of the last practitioners of this intimate category". Very little is known of his life, but he is assumed to have been born and died in Middelburg. He became a pupil of Melchior d'Hondecoeter around 1680 in Amsterdam. From 1683 he seems to have returned to Middelburg, where he set up a workshop and signed his small, carefully balanced minimalist still lifes. He often painted on paper that was glued to a wooden panel. About 80 signed works by him have been catalogued, and nearly all of them follow the same pattern; small arrangements of fruits, vegetables, or shells on a stone slab, lit from above, with the dark background typical of still lifes earlier in the century. Instead of the Chinese or silver vessels favoured by his contemporaries, his tableware is very basic pottery. "Objects and light are studied intensely, and are painted with a wondrous tenderness".[1] Neither his birth nor death date is certain, and archival evidence only exists in Middelburg for his membership in the Guild of St. Luke there from 1695 onwards, when he was fined for selling a painting without being a member of the guild. His works appear frequently in contemporary Middelburg taxation inventories
A mediterranean harbour scene with numerous figures on a que beneath a fort
oil on canvas 86.4 x 117 cm 17th century cyf

Related Paintings to Adriaen Coorte :.
| The Capture of Havana | The meal in Emmaus | Joan of Arc | Germain lAuxerrois | Portrait of Miss L. L. |

        
 
   
 

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